Contemporary dance Reviews. Choose from the titles below in this column to display the corresponding review in the right column.

Berichte über zeitgenössischen Tanz. Wählen Sie aus den Titeln unten in dieser Spalte, um den Bericht in der rechten Spalte darzustellen.

Piotr Tomczyk & Shaked Dagan: R.S.V.P.

ZKM Young Choreographers Session Jan 2014

Aslizadyan/Oliveira: Two 4 One

Montpellier Dance Festival 2007

Christian Rizzo: B.c. Janvier 1545, Fontainebleau

Robin Orlin, We Must Eat our Suckers with our Wrappers on

Mathilde Monnier, Tempo 76

Raimund Hoghe, MEINWÄRTS

Trisha Brown: Three Works

Régine Chopinot, O.C.C.C.

Saburo Teshigawara: VACANT

Dominique Bagouet: Jours étranges & So schnell

Christian Spuck: The Children

vera | sander | art | connect TRESPASSING

Laureates: Africa/Indian Ocean

Eun Me Ahn: Please Hold My Hands

Lara Martelli: Solo mit Sahne

Akram Khan: Kaash

Junge Choreographen Folkwangschule 2003

Theater der Klänge: Modul|a|t|o|r|

Wim Vandekeybus: Blush



Raimund Hoghe, MEINWÄRTS

Théâtre de Grammont, 2007-06-29

Author: Jochen Krölls

Images and emotions developped in the slowness and patience that they require, no matter how long it may take. Objects of memory, pictures, candles spread over the stage and taken away again in numerous constellations. (Candle) light as a key to optical silence, sentiments, memory. During this, we hear recordings of operas and popular songs of Joseph Schmidt’s from the 1930s.

Nudity that does not stop when physical weakness becomes visible or even audible during quotations in the form of heavy breathing. Identification of the artist’s physical weakness with those of the honoured jewish tenor Joseph Schmidt who died in the attempt to flee from the Nazis. Physical weakness of millions of AIDS victims also. These seem to be the ones that occupy Hoghe and that he digests in MEINWÄRTS. A quiet and very personal work.

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